Sreten Asanović, Nomina, Plima, Ulcinj, 2011
By: Ivana Ančić
English version will be available soon.
Miro Gavran: Kafka’s Friend (Mozaik knjiga, Zagreb, 2011)
By: Ivan Telebar
Max Brod sits in a small, stuffy office in Tel Aviv and goes through a new manuscript that came to his home address a few days ago. The sender is unknown, the only thing he can see is the name of the author under which is the title of the manuscript – Miro Gavran Kafka’s Friend. He has heard of this author, the literature circles talk of him as of the most translated Croatian writer and the only alive European dramatist to whom a whole festival has been dedicated to. He cared little for such epithets, he was more concerned about the text in front of him. He has read it several times and now he was just turning the pages and sometimes stopping on a chapter, searching for something more then black ink on a white paper.
The Russian Computer by Semezdin Mehmedinović (Fraktura, Zagreb, 2011)
By: Lamija Neimarlija
“The Russian Computer” by Semezdin Mehmedinović has a timeline from the end of August 1995 until August 1996 and it presents an unintentional diary of moving through Sarajevo – Prague – Zagreb – Phoenix – New York – Phoenix – Washington, DC. In the ‘’Introduction’’, which sets a certain frame for understanding the notes from the diary, where the author explains how this experience of leaving comes as a memory of events that he understood only later on. This story does not integrate reasoning from a (time) distance and consists of notes from periods of moving, without any interventions in the text by the author. Drafts, as starting points for newspaper texts, were made by cutting out the surplus from the manuscript that was a lot longer, because everything he wrote was in the same document (story drafts, songs, letters, magazine texts etc).
Bekim Sejranović: A More Beautiful Ending (Profil, Zagreb, 2010)
By: Ivan Telebar
Criticize This! project, dedicated to afirmation of the significance of contemporary art and importance of its critical observation in the process od development a democratic and open society, presents through the portals of the organizers and in a form of a supplement in newspapers Novosti, Danas and Pobjeda, the first art reviews by young critics produced under the supervision of well experianced and renowed art critics from the region.
Six selected art reviews in the fields of literature and performing and visual arts, will be published as the first edition of supplement in weekly Novosti in Croatia and daily newspapers Danas in Serbia and Pobjeda in Montenegro.
Other 16 art reviews will be published on portals of the organizers of the Criticize This! project – Booksa.hr, Elektrobeton.net, Kulturpunkt.hr, Plima.org i SEEcult.org), as well as on this web site.
Selected art reviews will be published in portal Eurozine.com, too.
Sreten Asanović, Nomina, Plima, Ulcinj, 2011
By: Ivana Ančić
English version will be available soon.
OSMI I SEDMI PUTNIK, Aleksandar Bjelogrlić, Citadela, Agora, Zrenjanin, 201
By: Dalibor Plečić
English version will be available soon.
Stjepan Gulin, Paz’te sad, paz’te sad (Meandarmedia, Zagreb, 2011.)
Authors: Ivana Ančić
Igor Marojević, Kroz glavu (Dosije, Beograd, 2012.)
Author: Dalibor Plečić
Damir Miloš, Pisa. Povratak (Meandarmedia, Zagreb, 2011.)
Author: Morena Livaković
POLITIČKE I DRUŠTVENE KONSTRUKCIJE IDENTITETA U VIDEO-PERFORMANSIMA NA BEOGRADSKOJ SCENI 1970-ih
Esej Vladimira Bjeličića
Esej u celini možete pročitati na portalu SEEcult.org
Esej Tihane Bertek
Od promatrača do sudionika
GALERIJA KAPELICA I POST-JUGOSLAVENSKI BODY ART (1995–2010)
Esej – Bojan Krištofić
Esej o radovima Šejle Kamerić, Maje Bajević i Nebojše Šerića Shobe
Piše: Slađana Golijanin
ESEJ – Razvaline socijalizma kao inspiracija za muzejske eksponate Mrđana Bajića i skulpturalne dosetke Ivana Fijolića
By: Milena Milojević
Piše: Nino Kovačić
Gostujuća izvedba šibenskog HNK, Pir malograđana, prema tekstu mladog Bertolda Brechta (napisan 1919.) izvedena je po sljedećoj formuli: na Danima satire u satiričkom kazalištu Kerempuh gledamo satiričan komad. Prema reakcijama publike, bila je uspješna, ali teško se oteti dojmu da je smijeh bio formulaično zagarantiran, jer bi takav instruirani moment humora trebao zauzdati spontani smijeh. Je li se možda radilo o “malograđanskom” humoru?
Glumice i to, KNAP, Zagreb, premijera 12.5.2012.
Piše: Nino Kovačić
Glumice i to, nova predstava u zagrebačkom KNAP-u, neobičan su kazališni ‘slučaj’. Naime, predstavu su, dramaturški i režijski osmislile te, naravno, glumački ostvarile četiri mlade glumice. U trenutačnoj opće-društvenoj, pa tako i kazališnoj situaciji, kojom prijete olovni pojmovi poput recesije, prekarijata i outsourcinga (nedavno su najavljena i otpuštanja “hladnopogonskih” glumaca), one su, kako piše u najavi “nezaposlene i pune entuzijazma, odlučile su preuzeti stvar u svoje ruke i napraviti hit!”. Očito sklone postdramskom pristupu izvedbi koji se, između ostalog, bazira na ekipnoj work-in-progress metodi, izvedbenoj anti-iluziji i autoreferencijalnosti, glumice/autorice su se “trgnule” i napravile parodiju o tome kako rade predstavu, po ironičnom ključu: kad ne ide pravljenje predstave treba napraviti predstavu o tome kako se ne može raditi predstava.
“Nije život biciklo”, Biljana Srbljanović, režija: Anselm Veber, Produkcija: Šaušpilhaus Bohum, Nemačka; Sterijino pozorje 2012, selekcija Nacionalne drame i pozorišta
By: Tamara Baračkov
English version will be available soon.
„Grebanje, ili kako se ubila moja baka“, Tanja Šljivar, režija: Selma Spahić, Bosansko narodno pozorište Zenica/Bitef teatar-Hartefakt (Beograd), premijera: 7. septembar 2012. (Zenica), 11. oktobar 2012. (Beograd)
By: Tamara Baračkov
English version will be available soon.
„Sluga dvaju gospodara“, Karlo Goldoni, režija: Boris Liješević, Grad teatar Budva/Srpsko narodno pozorište Novi Sad/Narodno pozorište „Toša Jovanović“ Zrenjanin, premijera: 27. jul 2012.
By: Tamara Baračkov
English version will be available soon.