Sreten Asanović, Nomina, Plima, Ulcinj, 2011
By: Ivana Ančić
English version will be available soon.
Project Criticize this! is designed by five organizations: Kulturtreger and Kurziv from Zagreb (Croatia), KPZ Beton and SEEcult.org from Belgrade (Serbia) and Plima from Ulcinj (Montenegro). The lead partner is Association Kulturtreger from Zagreb.
Project description
After years of deliberate nation building narratives in Serbia, Croatia, Bosnia and Herzegovina and Montenegro in which state supported art was particularly instrumental, some national myths have informed the society at large. Mainstream contemporary art in these countries still very often reflects this sentiment, openly promoting prejudiced stereotypes and justifying national ideologies or political agendas. Simultaneously, these countries have witnessed a significant decrease in critical reflection on contemporary art. Since mainstream media treat culture as entertainment, it is almost impossible to publicly discuss issues such as nationalism or chauvinism in art. Art criticism has dwindled down to occasional specialized magazines catering for a very narrow and mostly academic audience. Proper newspaper art reviews have virtually disappeared.
Having this in mind, this project is conceived as widening the public space for critical discussion on contemporary art. This is of particular importance at this specific moment considering the European Union prospects of these countries, their connection to European common cultural space and adoption of European values of tolerance, participation, intercultural dialogue and inclusion. Criticism of contemporary art contributes to this dialogue inasmuch as it reveals the way in which contemporary art (de)constructs nationalistic myths, national identities and images of the other as well as the ways contemporary art deals with neuralgic and traumatic points of societies.
Project aims
The general aim of the projects is to initiate a Europe wide discussion on the significance of contemporary art in enhancement of the common cultural space achieved by affirmation of critical reflection on art.
Specific objectives of the project are:
1. To create trans-national critical discourse on art in order to contribute to intercultural dialogue;
2. To facilitate the dialogue between artists and audiences by recreating the common cultural space;
3. To promote European values, particularly intercultural dialogue, inclusion and participation, by means of increasing their visibility in online and print media.
The project is defined by three main themes: dealing with the past, social transformation and identity. art criticism will be particularly focused on the way contemporary art treats: the past (emergence of new states, nationalism, chauvinism); social change (change of cultural framework, new economic system, decrease of public space, consumerism, censorship, freedom of speech); identity ((re)inventing national identity, building European identity, models of inclusion/exclusion of minority groups).
Project structure
The project will focus on visual arts, performing arts and literature produced in Serbia, Bosnia and Herzegovina, Croatia and Montenegro in recent years. Art reviews will be produced during three Art Modules. There will be 11 participants (young art critics) per Art Module from all these countries selected based on their applications.
The Art Modules will be organized in Serbia, Montenegro and Croatia and they will host prominent thinkers from the region, Europe and the world. The first part of each art module is a three-day initial event which will include: workshops for young art critics, public lectures given by international lecturers and a public discussion on the topic of building democratic and open society.
The second stage of each Art Module consists of writing essays on a predefined subject. Writing essays will be preceded by researches which will be conducted in all countries of the project (consulting archives, visiting events, interviewing artists etc.). Selected art reviews will be published simultaneously on the project web site and partner’ web portals, in daily and weekly newspapers in these countries and in other electronic media. Best art critics will be awarded a prize at the end of the project.
This project is funded through the programme Culture 2007-2013 of the European Union.
Sreten Asanović, Nomina, Plima, Ulcinj, 2011
By: Ivana Ančić
English version will be available soon.
OSMI I SEDMI PUTNIK, Aleksandar Bjelogrlić, Citadela, Agora, Zrenjanin, 201
By: Dalibor Plečić
English version will be available soon.
Stjepan Gulin, Paz’te sad, paz’te sad (Meandarmedia, Zagreb, 2011.)
Authors: Ivana Ančić
Igor Marojević, Kroz glavu (Dosije, Beograd, 2012.)
Author: Dalibor Plečić
Damir Miloš, Pisa. Povratak (Meandarmedia, Zagreb, 2011.)
Author: Morena Livaković
POLITIČKE I DRUŠTVENE KONSTRUKCIJE IDENTITETA U VIDEO-PERFORMANSIMA NA BEOGRADSKOJ SCENI 1970-ih
Esej Vladimira Bjeličića
Esej u celini možete pročitati na portalu SEEcult.org
Esej Tihane Bertek
Od promatrača do sudionika
GALERIJA KAPELICA I POST-JUGOSLAVENSKI BODY ART (1995–2010)
Esej – Bojan Krištofić
Esej o radovima Šejle Kamerić, Maje Bajević i Nebojše Šerića Shobe
Piše: Slađana Golijanin
ESEJ – Razvaline socijalizma kao inspiracija za muzejske eksponate Mrđana Bajića i skulpturalne dosetke Ivana Fijolića
By: Milena Milojević
Piše: Nino Kovačić
Gostujuća izvedba šibenskog HNK, Pir malograđana, prema tekstu mladog Bertolda Brechta (napisan 1919.) izvedena je po sljedećoj formuli: na Danima satire u satiričkom kazalištu Kerempuh gledamo satiričan komad. Prema reakcijama publike, bila je uspješna, ali teško se oteti dojmu da je smijeh bio formulaično zagarantiran, jer bi takav instruirani moment humora trebao zauzdati spontani smijeh. Je li se možda radilo o “malograđanskom” humoru?
Glumice i to, KNAP, Zagreb, premijera 12.5.2012.
Piše: Nino Kovačić
Glumice i to, nova predstava u zagrebačkom KNAP-u, neobičan su kazališni ‘slučaj’. Naime, predstavu su, dramaturški i režijski osmislile te, naravno, glumački ostvarile četiri mlade glumice. U trenutačnoj opće-društvenoj, pa tako i kazališnoj situaciji, kojom prijete olovni pojmovi poput recesije, prekarijata i outsourcinga (nedavno su najavljena i otpuštanja “hladnopogonskih” glumaca), one su, kako piše u najavi “nezaposlene i pune entuzijazma, odlučile su preuzeti stvar u svoje ruke i napraviti hit!”. Očito sklone postdramskom pristupu izvedbi koji se, između ostalog, bazira na ekipnoj work-in-progress metodi, izvedbenoj anti-iluziji i autoreferencijalnosti, glumice/autorice su se “trgnule” i napravile parodiju o tome kako rade predstavu, po ironičnom ključu: kad ne ide pravljenje predstave treba napraviti predstavu o tome kako se ne može raditi predstava.
“Nije život biciklo”, Biljana Srbljanović, režija: Anselm Veber, Produkcija: Šaušpilhaus Bohum, Nemačka; Sterijino pozorje 2012, selekcija Nacionalne drame i pozorišta
By: Tamara Baračkov
English version will be available soon.
„Grebanje, ili kako se ubila moja baka“, Tanja Šljivar, režija: Selma Spahić, Bosansko narodno pozorište Zenica/Bitef teatar-Hartefakt (Beograd), premijera: 7. septembar 2012. (Zenica), 11. oktobar 2012. (Beograd)
By: Tamara Baračkov
English version will be available soon.
„Sluga dvaju gospodara“, Karlo Goldoni, režija: Boris Liješević, Grad teatar Budva/Srpsko narodno pozorište Novi Sad/Narodno pozorište „Toša Jovanović“ Zrenjanin, premijera: 27. jul 2012.
By: Tamara Baračkov
English version will be available soon.