Sreten Asanović, Nomina, Plima, Ulcinj, 2011
By: Ivana Ančić
English version will be available soon.
ESEJ – Suvremena umjetnička scena u Splitu – priča s periferije
By: Anita Kojundžić Smolčić
Exhibition in the Bačvice Aquaruim, Split, January 13 – 20, 2012
By: Anita Kojundžić
In times of growing unemployment and global recession, when we can hear only about budget cuts and savings, to choose art as your profession is a bold and risky move (hasn’t that always been the case?), because few can brag about how well off they are living on art, how they are not doing art in their spare time, after their day job that secures their sustenance. In such a context, it is legitimate to ask to what extent can one follow their creative impulse without constant deprivation and accepting various compromises? To somehow answer that question, a group of female students from Split has demonstrated one potential form of self-employment by creating a new social network and finding alternative ways to acquire experience, outside the official institutions and their procedures. In fact, they put on a one-week show of the unaffirmed art scene in the Bačvice Aquarium, which is, in my opinion, one of the best exhibition venues in Split for contemporary art, despite being unfinished.
Gallery of the State Archive in Rijeka, December 2011 – January 2012
By: Anita Kojundžić
Whenever there is collaboration between the former Yugoslav republics, all of which are independent states today, it is hard to avoid mentioning the past and the roles some of the republics played. However, despite the differences in secession procedure, it is undeniable there are many similarities in the ongoing processes, as well as issues the young countries are facing. more >
Exhibition Sing Sing, Sarajevo City Hall, November 19 – December 4, 2011
November 19th was an important day for the Sarajevo art scene because there were to exhibition openings only two hours apart: “World Art in Sarajevo” in Hanikah, with 12 distinguished international artists from the Ars Aevi collection, and a retrospective of the work by the Sing Sing Group in the Town Hall. Both shows were organised by the Ars Aevi project, with Amila Ramović as curator, and since these are complex projects which require a lot more space for detailed elaboration, this time we will discuss the latter.
By: Anita Kojundžić
Exhibition: Wasteland, Sandra Vitaljić, Lang Photo Gallery at the Photo Museum in Riga, October 6 – November 6, 2011
By: Anita Kojundžić
In early November, the Photo Museum in Riga closed another Wasteland exhibition by Sandra Vitaljić, which marks two years of displaying a series of her works which have evolved into more than just a regional project and is far from exhausted even after so many exhibitions. Moreover, the series is available in digital format, at www.croatian-photography.com.
Sreten Asanović, Nomina, Plima, Ulcinj, 2011
By: Ivana Ančić
English version will be available soon.
OSMI I SEDMI PUTNIK, Aleksandar Bjelogrlić, Citadela, Agora, Zrenjanin, 201
By: Dalibor Plečić
English version will be available soon.
Stjepan Gulin, Paz’te sad, paz’te sad (Meandarmedia, Zagreb, 2011.)
Authors: Ivana Ančić
Igor Marojević, Kroz glavu (Dosije, Beograd, 2012.)
Author: Dalibor Plečić
Damir Miloš, Pisa. Povratak (Meandarmedia, Zagreb, 2011.)
Author: Morena Livaković
POLITIČKE I DRUŠTVENE KONSTRUKCIJE IDENTITETA U VIDEO-PERFORMANSIMA NA BEOGRADSKOJ SCENI 1970-ih
Esej Vladimira Bjeličića
Esej u celini možete pročitati na portalu SEEcult.org
Esej Tihane Bertek
Od promatrača do sudionika
GALERIJA KAPELICA I POST-JUGOSLAVENSKI BODY ART (1995–2010)
Esej – Bojan Krištofić
Esej o radovima Šejle Kamerić, Maje Bajević i Nebojše Šerića Shobe
Piše: Slađana Golijanin
ESEJ – Razvaline socijalizma kao inspiracija za muzejske eksponate Mrđana Bajića i skulpturalne dosetke Ivana Fijolića
By: Milena Milojević
Piše: Nino Kovačić
Gostujuća izvedba šibenskog HNK, Pir malograđana, prema tekstu mladog Bertolda Brechta (napisan 1919.) izvedena je po sljedećoj formuli: na Danima satire u satiričkom kazalištu Kerempuh gledamo satiričan komad. Prema reakcijama publike, bila je uspješna, ali teško se oteti dojmu da je smijeh bio formulaično zagarantiran, jer bi takav instruirani moment humora trebao zauzdati spontani smijeh. Je li se možda radilo o “malograđanskom” humoru?
Glumice i to, KNAP, Zagreb, premijera 12.5.2012.
Piše: Nino Kovačić
Glumice i to, nova predstava u zagrebačkom KNAP-u, neobičan su kazališni ‘slučaj’. Naime, predstavu su, dramaturški i režijski osmislile te, naravno, glumački ostvarile četiri mlade glumice. U trenutačnoj opće-društvenoj, pa tako i kazališnoj situaciji, kojom prijete olovni pojmovi poput recesije, prekarijata i outsourcinga (nedavno su najavljena i otpuštanja “hladnopogonskih” glumaca), one su, kako piše u najavi “nezaposlene i pune entuzijazma, odlučile su preuzeti stvar u svoje ruke i napraviti hit!”. Očito sklone postdramskom pristupu izvedbi koji se, između ostalog, bazira na ekipnoj work-in-progress metodi, izvedbenoj anti-iluziji i autoreferencijalnosti, glumice/autorice su se “trgnule” i napravile parodiju o tome kako rade predstavu, po ironičnom ključu: kad ne ide pravljenje predstave treba napraviti predstavu o tome kako se ne može raditi predstava.
“Nije život biciklo”, Biljana Srbljanović, režija: Anselm Veber, Produkcija: Šaušpilhaus Bohum, Nemačka; Sterijino pozorje 2012, selekcija Nacionalne drame i pozorišta
By: Tamara Baračkov
English version will be available soon.
„Grebanje, ili kako se ubila moja baka“, Tanja Šljivar, režija: Selma Spahić, Bosansko narodno pozorište Zenica/Bitef teatar-Hartefakt (Beograd), premijera: 7. septembar 2012. (Zenica), 11. oktobar 2012. (Beograd)
By: Tamara Baračkov
English version will be available soon.
„Sluga dvaju gospodara“, Karlo Goldoni, režija: Boris Liješević, Grad teatar Budva/Srpsko narodno pozorište Novi Sad/Narodno pozorište „Toša Jovanović“ Zrenjanin, premijera: 27. jul 2012.
By: Tamara Baračkov
English version will be available soon.