Sreten Asanović, Nomina, Plima, Ulcinj, 2011
By: Ivana Ančić
English version will be available soon.
Krčmarica Mirandolina, Budva Grad teatar, režija Jug Radivojević, premijera 16.6.2012.
By: Nikola Skočajić
English version will be available soon.
1984, režija: Benjamin Bajramović i Jasenko Pašić, produkcija: SARTR – Sarajevski ratni teatar; premijera: 11. januara 2012.
By: Nino Kovačić
English version will be available soon.
Slaven Tolj: Srđ je naš (Srđ is Ours), Galerija P74, Ljubljana, June 2 – 29, 2012.
By: Žana Vukičević
The fight against corruption, the dissatisfaction with the processes of privatization, the burgeoning of capitalism, as well as the resistance against drastic social stratification as their direct and inevitable consequence are commonplace in a modern democratic society. The phenomena caused by the existence of such negative factors are present and appear almost on a daily basis in the form of public protests, demonstrations, petitions, and similar kinds of civil actions. Nonetheless, almost as a rule, all attempts at rebellion of this kind take place on the principle of the unbalance of forces between the people wanting change and thus standing up together and the rigid structures comprising of financial and political power figures whose influence in decision-making by far surpasses the local context of a certain problem.
Miroslav Krleža: U AGONIJI, reditelj Gradimir Gojer, premijera: 25. 07. 2012.
Piše: Vojislav Vujanović
English version will be available soon.
Šejla Kamerić: 1395 Days Without Red, Legat Gallery owned by Milica Zorić and Rodoljub Čolaković, Belgrade, 23th May -24th June 2012
By: Vladimir Bjeličić
Twenty years after the siege of the city and as part of Sarajevo Days Festival, Milica Zorić’s and Rodoljub Čolaković’s Legat Gallery presented an independent exhibition by Bosnian artist Šejla Kamerić ’’1395 Days Without Red’’. The title refers to the number of days the Bosnian capital was under siege, when people were advised not to wear anything red, because the snipers could immediately spot them. Šejla Kamerić is a well-known artist throughout the region, but this is her first independent exhibition in Belgrade. Locally, she has been known only by her cooperation with Uroš Đurić. Šejla Kamerić has been creating art for over a decade and is part of the regional contemporary art scene thanks to her authentic socially engaged work. She uses different media (video, photography, installations) to present traumas of war as the main topic, i.e. to present her personal experience of the military conflicts in Bosnia and Herzegovina in the 1990’s, as well as various other processes that create or erase national identity. Her work was created during several periods, some of them even a decade ago, which makes this exhibition a presentation of her overall work.
Sreten Asanović, Nomina, Plima, Ulcinj, 2011
By: Ivana Ančić
English version will be available soon.
OSMI I SEDMI PUTNIK, Aleksandar Bjelogrlić, Citadela, Agora, Zrenjanin, 201
By: Dalibor Plečić
English version will be available soon.
Stjepan Gulin, Paz’te sad, paz’te sad (Meandarmedia, Zagreb, 2011.)
Authors: Ivana Ančić
Igor Marojević, Kroz glavu (Dosije, Beograd, 2012.)
Author: Dalibor Plečić
Damir Miloš, Pisa. Povratak (Meandarmedia, Zagreb, 2011.)
Author: Morena Livaković
POLITIČKE I DRUŠTVENE KONSTRUKCIJE IDENTITETA U VIDEO-PERFORMANSIMA NA BEOGRADSKOJ SCENI 1970-ih
Esej Vladimira Bjeličića
Esej u celini možete pročitati na portalu SEEcult.org
Esej Tihane Bertek
Od promatrača do sudionika
GALERIJA KAPELICA I POST-JUGOSLAVENSKI BODY ART (1995–2010)
Esej – Bojan Krištofić
Esej o radovima Šejle Kamerić, Maje Bajević i Nebojše Šerića Shobe
Piše: Slađana Golijanin
ESEJ – Razvaline socijalizma kao inspiracija za muzejske eksponate Mrđana Bajića i skulpturalne dosetke Ivana Fijolića
By: Milena Milojević
Piše: Nino Kovačić
Gostujuća izvedba šibenskog HNK, Pir malograđana, prema tekstu mladog Bertolda Brechta (napisan 1919.) izvedena je po sljedećoj formuli: na Danima satire u satiričkom kazalištu Kerempuh gledamo satiričan komad. Prema reakcijama publike, bila je uspješna, ali teško se oteti dojmu da je smijeh bio formulaično zagarantiran, jer bi takav instruirani moment humora trebao zauzdati spontani smijeh. Je li se možda radilo o “malograđanskom” humoru?
Glumice i to, KNAP, Zagreb, premijera 12.5.2012.
Piše: Nino Kovačić
Glumice i to, nova predstava u zagrebačkom KNAP-u, neobičan su kazališni ‘slučaj’. Naime, predstavu su, dramaturški i režijski osmislile te, naravno, glumački ostvarile četiri mlade glumice. U trenutačnoj opće-društvenoj, pa tako i kazališnoj situaciji, kojom prijete olovni pojmovi poput recesije, prekarijata i outsourcinga (nedavno su najavljena i otpuštanja “hladnopogonskih” glumaca), one su, kako piše u najavi “nezaposlene i pune entuzijazma, odlučile su preuzeti stvar u svoje ruke i napraviti hit!”. Očito sklone postdramskom pristupu izvedbi koji se, između ostalog, bazira na ekipnoj work-in-progress metodi, izvedbenoj anti-iluziji i autoreferencijalnosti, glumice/autorice su se “trgnule” i napravile parodiju o tome kako rade predstavu, po ironičnom ključu: kad ne ide pravljenje predstave treba napraviti predstavu o tome kako se ne može raditi predstava.
“Nije život biciklo”, Biljana Srbljanović, režija: Anselm Veber, Produkcija: Šaušpilhaus Bohum, Nemačka; Sterijino pozorje 2012, selekcija Nacionalne drame i pozorišta
By: Tamara Baračkov
English version will be available soon.
„Grebanje, ili kako se ubila moja baka“, Tanja Šljivar, režija: Selma Spahić, Bosansko narodno pozorište Zenica/Bitef teatar-Hartefakt (Beograd), premijera: 7. septembar 2012. (Zenica), 11. oktobar 2012. (Beograd)
By: Tamara Baračkov
English version will be available soon.
„Sluga dvaju gospodara“, Karlo Goldoni, režija: Boris Liješević, Grad teatar Budva/Srpsko narodno pozorište Novi Sad/Narodno pozorište „Toša Jovanović“ Zrenjanin, premijera: 27. jul 2012.
By: Tamara Baračkov
English version will be available soon.