Sreten Asanović, Nomina, Plima, Ulcinj, 2011
By: Ivana Ančić
English version will be available soon.
Radmila Smiljanić: The Well, directed by: Egon Savin, produced by: Cultural Institution ‘’Vuk Karadžić’’
By: Nikola Skočajić
Probably the most interesting part of The Well by Radmila Smiljanić, is that it speaks of nationalism from a female point of view and through a female character. In a Serbian village in post-war Bosnia, Miloš and Jasmina live with his mother. She has no other name than Mother, although in this play she would be better named Mother-in-law, and she is very unhappy that the young couple do not have children. When an offer to build water supply system comes to the village, which would mean selling some family land, other family issues surface. Topic of a mixed marriage between a Serb and a Muslim, in context of selling (Serbian) land, sets off various conflicts between the three main characters in the play. Formally, The Well is a conventionally structured dramatic text, but theme-wise, The Well does not offer anything new. Furthermore, Radmila Smiljanić’s play only reproduces a number of clichés.
Christopher Durang “Beyond Therapy”; directed by: Alisa Stojanović; produced by: Podgorica City Theatre; opening night: 25th June 2010
By: Milena Pejović
Back in the 1980’s, when Christopher Durang was writing this play, it was necessary to warn that ‘’life is terrifying and without any order’’. According to this logic, author explains his solution in fight against this terrifying nature of life: ‘’ people become close to fight these horrors hand in hand’’. We all agree that one of the most terrifying situations in life, we all have to face, is lack of safety in the hand we offer and lack of trust in the hand we receive. Blinded by fears, Durang’s heroes try to find some order in their lives by visiting psychotherapists, responding to personal ads, going out on blind dates – fully aware how unsuccessful these methods are. Internet, fast lives, alienation and other problems of our time have complicated these already complicated emotional relations, so staging this hilarious comedy at the City Theatre seems more than contemporary.
Zoran Đinđić, autorski projekat: Oliver Frljić, produkcija: Atelje 212, Beograd, premijera: 18. Maj 2012.
Author: Nikola Skočajić
English version will be available soon.
“Sumnjivo lice“, Branislav Nušić, režija Jagoš Marković, Jugoslovensko dramsko pozorište, premijera 9. april 2012. Scena “Ljuba Tadić”
By: Nikola Skočajić
English version will be available soon.
Janusz Glowcki „Četvrta sestra“; režija: Ana Vukotić; produkcija: Zetski dom Cetinje; premijera: 27. mart 2012.
By: Milena Pejović
English version will be available soon.
Sreten Asanović, Nomina, Plima, Ulcinj, 2011
By: Ivana Ančić
English version will be available soon.
OSMI I SEDMI PUTNIK, Aleksandar Bjelogrlić, Citadela, Agora, Zrenjanin, 201
By: Dalibor Plečić
English version will be available soon.
Stjepan Gulin, Paz’te sad, paz’te sad (Meandarmedia, Zagreb, 2011.)
Authors: Ivana Ančić
Igor Marojević, Kroz glavu (Dosije, Beograd, 2012.)
Author: Dalibor Plečić
Damir Miloš, Pisa. Povratak (Meandarmedia, Zagreb, 2011.)
Author: Morena Livaković
POLITIČKE I DRUŠTVENE KONSTRUKCIJE IDENTITETA U VIDEO-PERFORMANSIMA NA BEOGRADSKOJ SCENI 1970-ih
Esej Vladimira Bjeličića
Esej u celini možete pročitati na portalu SEEcult.org
Esej Tihane Bertek
Od promatrača do sudionika
GALERIJA KAPELICA I POST-JUGOSLAVENSKI BODY ART (1995–2010)
Esej – Bojan Krištofić
Esej o radovima Šejle Kamerić, Maje Bajević i Nebojše Šerića Shobe
Piše: Slađana Golijanin
ESEJ – Razvaline socijalizma kao inspiracija za muzejske eksponate Mrđana Bajića i skulpturalne dosetke Ivana Fijolića
By: Milena Milojević
Piše: Nino Kovačić
Gostujuća izvedba šibenskog HNK, Pir malograđana, prema tekstu mladog Bertolda Brechta (napisan 1919.) izvedena je po sljedećoj formuli: na Danima satire u satiričkom kazalištu Kerempuh gledamo satiričan komad. Prema reakcijama publike, bila je uspješna, ali teško se oteti dojmu da je smijeh bio formulaično zagarantiran, jer bi takav instruirani moment humora trebao zauzdati spontani smijeh. Je li se možda radilo o “malograđanskom” humoru?
Glumice i to, KNAP, Zagreb, premijera 12.5.2012.
Piše: Nino Kovačić
Glumice i to, nova predstava u zagrebačkom KNAP-u, neobičan su kazališni ‘slučaj’. Naime, predstavu su, dramaturški i režijski osmislile te, naravno, glumački ostvarile četiri mlade glumice. U trenutačnoj opće-društvenoj, pa tako i kazališnoj situaciji, kojom prijete olovni pojmovi poput recesije, prekarijata i outsourcinga (nedavno su najavljena i otpuštanja “hladnopogonskih” glumaca), one su, kako piše u najavi “nezaposlene i pune entuzijazma, odlučile su preuzeti stvar u svoje ruke i napraviti hit!”. Očito sklone postdramskom pristupu izvedbi koji se, između ostalog, bazira na ekipnoj work-in-progress metodi, izvedbenoj anti-iluziji i autoreferencijalnosti, glumice/autorice su se “trgnule” i napravile parodiju o tome kako rade predstavu, po ironičnom ključu: kad ne ide pravljenje predstave treba napraviti predstavu o tome kako se ne može raditi predstava.
“Nije život biciklo”, Biljana Srbljanović, režija: Anselm Veber, Produkcija: Šaušpilhaus Bohum, Nemačka; Sterijino pozorje 2012, selekcija Nacionalne drame i pozorišta
By: Tamara Baračkov
English version will be available soon.
„Grebanje, ili kako se ubila moja baka“, Tanja Šljivar, režija: Selma Spahić, Bosansko narodno pozorište Zenica/Bitef teatar-Hartefakt (Beograd), premijera: 7. septembar 2012. (Zenica), 11. oktobar 2012. (Beograd)
By: Tamara Baračkov
English version will be available soon.
„Sluga dvaju gospodara“, Karlo Goldoni, režija: Boris Liješević, Grad teatar Budva/Srpsko narodno pozorište Novi Sad/Narodno pozorište „Toša Jovanović“ Zrenjanin, premijera: 27. jul 2012.
By: Tamara Baračkov
English version will be available soon.